GlobalTalentNetwork.com recruitment management software for casting directors: Interested in TalentNest applicant tracking software? Just fill out this form to set up a demo with a member of our team! We’ll walk you through the system and show you how it can work for your company. You’ll have the choice of booking a 15 minute demo or a longer webinar. View the demo remotely and at a time that suits you. Get pricing information based on your company’s size and number of recruits per year. TalentNest is a talent management software created by SMG, a company with over 35 years of research and experience in recruiting, hiring, and training. This software offers integrated diagnostics and assessments to help you attract, manage, and rate candidates throughout the recruitment process. See additional info All-in-One Applicant Tracking Software.
GlobalTalentNetwork guides for talent firms : An open house is a good way for future talent and prospective clients to meet you in a way that does not feel intimidating or pushy. Alternatively, it can also be a good way to introduce your talent to prospective clients. During the open house, display digital photo frames that scroll through pictures of your clients, hand out brochures and business cards and hold a raffle for prospective talent to win a complimentary headshot. The raffle for the prospective or current clients can be to win a complimentary lunch delivery for the office where you’ll include informational materials about your agency with the delivered food.
Do your homework. Every franchised SAG-AFTRA talent agency has a website. Read what they’ve written about their agency, then look at the actors they represent. Do you see anyone who looks like your “type?” If you can, look at that actor’s resume and see where they have trained, what theatres they have worked at, television shows they have booked, notice their special skills. This’ll give you an idea of the kind of actors the agency has already responded to. Find additional details https://globaltalentnetwork.com/.
Narrow down your list. The size and status of the office you should realistically approach is determined by how far along you are in your career. When starting out, you’ll find that the small- and medium-sized offices are often more receptive to meeting new talent—but if you do have an “in” at a major agency, go for it. If your timing, talent, and type are right, you could get lucky. (Check out our lists of agencies for early- and mid-career actors in New York City and Los Angeles for ideas.) Start with a list of about 15-20 first-choice agencies; you can also put together a similar list of second-choice options. Prepare and submit your materials. Now that you’ve identified the reputable agencies you plan to pursue, you’ll need to submit four things.
For all of the actors unsure about how they feel about the audition process, we have news for you: Auditioning is the necessary beast on which the beginning of your acting career depends. So instead of seeing auditions as an emotional job interview, shift your perspective to see them for what they really are: a chance to bring yourself to a new character, to do what you love in front of an attentive audience, and to possibly even make some fans.
What’s the Difference Between a Talent Agent and a Manager? Both agents and managers are strategic partners in your career and will work on commission. But there are some key differences between the two roles: Managers cannot arrange for casting calls, get you work, or negotiate contracts or deals. Agents can. Managers are not regulated and do not require special licensing or certification, unlike talent agents, nor does he or she need to work for a management company, though some do. A talent or business manager can really be anyone, which is why relatives of talent sometimes assume the role. Unlike agents, managers may have you as their only client, which guarantees a high level of personal attention. They may also stick with you throughout your career, unlike many agents who come and go Typical manager fees may exceed those of an agent; they may run as high as 15 or 20 percent.
Know the character. Read the entire script beforehand to pick-up as many clues as possible. We know about a character by the following: What they say about themselves; What other characters say about them; What the playwright or screenwriter says about them. Show variety: Feel the levels and dynamics in the scene. Don’t play one emotion. If the character is angry or tough, when might they show some vulnerability? Wannabe? Not you! Interesting, memorable auditions will start to happen for you when you dig into scripts with these thoughts in mind before and during your auditions.
Invest in a tripod. The shakes are unpleasant, says Backstage Expert Jessica R. Grosman. She also suggests talking to your reader beforehand to make sure they’re not too loud during the taping. It can be shot on your iPhone or your laptop, but be sure you’ve ticked all these boxes. (Pro tip: Place your reader right next to the camera. This will give you a direct eyeline without having to stare straight down the barrel.) Be sure to follow all directions from casting, including content requests (monologue, dance, or song) file naming, introduction, and media format. To handle a bad reader in auditions, the actor must be self-sufficient. You can also try to incorporate it into your performance. Either way, the show must go on.
The purpose of the meeting is to give the agent a chance to determine if you can make it as an actor, so be ready to perform for the agent. That means to have a monologue prepared to recite at a moment’s notice and be prepared to do a cold reading from a script that the agent hands you. You should never be afraid to ask questions during your interview. Here are five questions you should ask during your meeting. Who will represent me from your agency? How many clients do you currently represent What kind of actor do you see me? How many other actors do you serve actors that are similar to me? How would you direct my career? What kind of work have you gotten in the last six months for your actors?
Letitia Fernandez